Nomad undergraduate journal authors will briefly present their work.
Refreshments will be served.
3:30–5:30 a.m.
Nomad undergraduate journal authors will briefly present their work.
Refreshments will be served.
3:30–4:30 p.m.
The Northwest Native American Language Resource Center's Community Project Planning and Development (CPPD) workshops are designed to help guide you through the process of creating a community-based project: from coming up with the idea, to building a solid organizational and logistical foundation, and all of the other necessary steps to get your project proposal completed. Overall, there are 15 CPPD workshops in this series.
Each workshop also has an associated next-day drop-in assistance hour. This workshop series is meant to take participants with little to no experience in community project planning and development and help them complete their first project proposal. While we are focused on assisting with project planning and development of Alaskan Native/Native American Language projects, much of the content that you will be learning in these workshops is readily transferrable to other types of projects.
Registrants will have access to all workshops in this April offering. Attendance at all workshops in the offering is recommended but not required.
All instruction is provided online and instructors will join online. Participants will join remotely via zoom (please see technology section below.)
Workshops in this Offering
The CPPD workshops are offered in smaller, five workshop offerings. The first five workshops were offered in November and December of 2025. The workshops that are available in the April offering are:
Workshop 6: Identifying Long-Range Goals
- Topic: Supports facilitation of community discussions to identify vision-aligned, long-term goals that drive project outcomes.
- Date: 4/1
- Drop-In Assistance: 4/2
Workshop 7: Defining Barriers to Long-Range Goals
- Topic: Identifies internal and external barriers, explores strategies to surface challenges, and begin problem-solving approaches.
- Date: 4/8
- Drop-In Assistance: 4/9
Workshop 8: Creating Project Goals & Objectives
- Topic: Translates community vision into specific, measurable project goals and objectives using clear, structured frameworks.
- Date: 4/15
- Drop-In Assistance: 4/16
Workshop 9: Outcomes, Outputs, & Activities
- Topic: Distinguishes outcomes, outputs, and activities, aligns them within a project framework/logic model.
- Date: 4/22
- Drop-In Assistance: 4/23
Workshop 10: Building a Project Work Plan
- Topic: Hands-on strategies to create a work plan with timelines, milestones, responsibilities, and deliverables.
- Date: 4/29
- Drop-In Assistance: 4/30
Technology
The CPPD workshops will be held via Zoom and will use Canvas, a course management system, for materials and activities. Participants must have an email address. It will be best to join on a computer that has a stable internet connection, a webcam, and headphones (depending on your work environment). Using a computer rather than a mobile device will improve your experience - you will be able to better interact with others, participate in hands-on activities, and see presented materials.
3:30–4:30 p.m.
The NW-NALRC's Community Project Planning and Development (CPPD) workshops are designed to help guide you through the process of creating a community-based project: from coming up with the idea, to building a solid organizational and logistical foundation, and all of the other necessary steps to get your project proposal completed. Overall, there are 15 CPPD workshops in this series.
Each workshop also has an associated Next-Day Drop-In Assistance Hour. This workshop series is meant to take participants with little to no experience in Community Project Planning and Development and help them complete their first project proposal. While we are focused on assisting with project planning and development of Alaskan Native / Native American Language projects, much of the content that you will be learning in these workshops is readily transferrable to other types of projects.
Registrants will have access to all workshops in this April 2026 offering. Attendance at all workshops in the offering is recommended but not required.
The CPPD Workshops are offered in smaller, five workshop offerings. The first five workshops were offered in November and December of 2025. The workshops that are available in the April 2026 offering are:
Workshop 6: Identifying Long-Range Goals
- Topic: Supports facilitation of community discussions to identify vision-aligned, long-term goals that drive project outcomes.
- Date: 4/1
- Drop-In Assistance: 4/2
Workshop 7: Defining Barriers to Long-Range Goals
- Topic: Identifies internal and external barriers, explores strategies to surface challenges, and begin problem-solving approaches.
- Date: 4/8
- Drop-In Assistance: 4/9
Workshop 8: Creating Project Goals & Objectives
- Topic: Translates community vision into specific, measurable project goals and objectives using clear, structured frameworks.
- Date: 4/15
- Drop-In Assistance: 4/16
Workshop 9: Outcomes, Outputs, & Activities
- Topic: Distinguishes outcomes, outputs, and activities, aligns them within a project framework/logic model.
- Date: 4/22
- Drop-In Assistance: 4/23
Workshop 10: Building a Project Work Plan
- Topic: Hands-on strategies to create a work plan with timelines, milestones, responsibilities, and deliverables.
- Date: 4/29
- Drop-In Assistance: 4/30
Technology
The CPPD workshops will be held via Zoom and will use Canvas, a course management system, for materials and activities. Participants must have an email address. It will be best to join on a computer that has a stable internet connection, a webcam, and headphones (depending on your work environment). Using a computer rather than a mobile device will improve your experience - you will be able to better interact with others, participate in hands-on activities, and see presented materials.
4:00 p.m.
The Department of Geography Colloquium Series presents a talk by Michelle Mack on “Changing Disturbances, Ecological Legacies, and the Future of the Alaskan Boreal Forest.”
Mack is a Regents’ Professor in the Department of Biological Sciences and the Center for Ecosystem Science and Society at Northern Arizona University, and the lead PI of the Bonanza Creek Long-Term Ecological Research Program located in the Alaskan boreal forest. She is an ecosystem ecologist who studies the impacts of climate and disturbances, such as wildfire and abrupt permafrost thaw, on the dynamics of Arctic and boreal ecosystems. She is a fellow of the Ecological Society of America and the American Geophysical Union.
“Climate warming is intensifying wildfires in Alaska’s boreal forests, fundamentally altering how these ecosystems recover. Forest resilience often depends on “ecological memory,” including legacies such as seed banks and permafrost that support regeneration and stabilize ecosystem processes. However, increasingly severe fires are degrading or eliminating these legacies, making recovery more difficult, and altering ecosystem dynamics. In this talk, I will present research from the Bonanza Creek Long Term Ecological Research program that examines how the loss of ecological memory is reshaping boreal forests, as well as the implications for the people and systems that depend on them. I will also discuss how this work can inform strategies for adapting to climate-driven environmental change.”
5:30–7:00 p.m.
In this talk, Professor Jon Holt of Portland State University will explore two fundamental frameworks for parsing the visual grammar of comics: Scott McCloud’s formalist analysis and Natsume Fusanosuke’s culturally grounded approach to manga expression. McCloud and Natsume constructed their theories of visual language separately but simultaneously in the 1990s, and their discourses remain powerful and helpful to comics studies scholars as well as instructors teaching manga and comics in the American classroom. By placing these perspectives in dialogue, Holt will show how these flexible frameworks can still help us interpret manga not just as a visual narrative form, but as a distinct cultural medium.
The lecture is open to the public.
The event is sponsored by:
- Yoko McClain Lecture Series in Japanese Studies
- The Sally Claire Haseltine Endowment in Art History
- Comics and Cartoon Studies Program
- Center for Asian and Pacific Studies
9:00 a.m.–12:00 p.m.
- 1:1 Sessions: Connect directly with employers and ask questions to learn about specific opportunities.
- Group Sessions: Join informative sessions, panel discussions with industry experts, and learn about the opportunities available and the company culture.
- Networking Opportunities: Build connections that could lead to internships, jobs, or mentorship opportunities.
- Register for Sessions on Handshake: After completing your registration for the overall fair, be sure to sign up for 1:1 sessions and/or group sessions with recruiters to maximize your opportunities to connect.
- Dress Professionally (Even Virtually): First impressions matter, so opt for a business-casual look during your video interactions.
- Prepare Your Resume: Upload a polished version of your resume to Handshake to share with employers. Need help? Your Career Center offers resources to perfect your resume—don’t hesitate to visit the office or check out their resources on Handshake..
- Craft Your Elevator Pitch: Have a 30-second introduction ready to share your story and career aspirations.
- Follow Up: After the event, reach out to the recruiters you meet to express your continued interest.
7:30–9:30 p.m.
In 1926, radium was a miracle cure, Madame Curie an international celebrity, and luminous watches the latest rage—until the girls who painted them began to fall ill with a mysterious disease. Inspired by a true story, Radium Girls traces the efforts of Grace Fryer, a dial painter, as she fights for her day in court. Her chief adversary is her former employer, Arthur Roeder, an idealistic man who cannot bring himself to believe that the same element that shrinks tumors could have anything to do with the terrifying rash of illnesses among his employees. As the case goes on, however, Grace finds herself battling not just with the U.S. Radium Corporation, but with her own family and friends, who fear that her campaign for justice will backfire. Written with warmth and humor, Radium Girls is a fast-moving, highly theatrical ensemble piece for 9 to 10 actors, who play more than 30 parts—friends, co-workers, lovers, relatives, attorneys, scientists, consumer advocates, and myriad interested bystanders. Called a “powerful” and “engrossing” drama by critics, Radium Girls offers a wry, unflinching look at the peculiarly American obsessions with health, wealth, and the commercialization of science. Produced by special arrangement with The Dramatic Publishing Company of Woodstock, Illinois. Originally produced by Playwrights Theatre of New Jersey and developed with a commissioning grant from The Ensemble Studio Theatre/Alfred P. Sloan Foundation Science and Technology Project.
by D. W. Gregory Directed by Willow Jade Norton Zolan
7:30–9:30 p.m.
In 1926, radium was a miracle cure, Madame Curie an international celebrity, and luminous watches the latest rage—until the girls who painted them began to fall ill with a mysterious disease. Inspired by a true story, Radium Girls traces the efforts of Grace Fryer, a dial painter, as she fights for her day in court. Her chief adversary is her former employer, Arthur Roeder, an idealistic man who cannot bring himself to believe that the same element that shrinks tumors could have anything to do with the terrifying rash of illnesses among his employees. As the case goes on, however, Grace finds herself battling not just with the U.S. Radium Corporation, but with her own family and friends, who fear that her campaign for justice will backfire. Written with warmth and humor, Radium Girls is a fast-moving, highly theatrical ensemble piece for 9 to 10 actors, who play more than 30 parts—friends, co-workers, lovers, relatives, attorneys, scientists, consumer advocates, and myriad interested bystanders. Called a “powerful” and “engrossing” drama by critics, Radium Girls offers a wry, unflinching look at the peculiarly American obsessions with health, wealth, and the commercialization of science. Produced by special arrangement with The Dramatic Publishing Company of Woodstock, Illinois. Originally produced by Playwrights Theatre of New Jersey and developed with a commissioning grant from The Ensemble Studio Theatre/Alfred P. Sloan Foundation Science and Technology Project.
by D. W. Gregory Directed by Willow Jade Norton Zolan
2:00–4:00 p.m.
In 1926, radium was a miracle cure, Madame Curie an international celebrity, and luminous watches the latest rage—until the girls who painted them began to fall ill with a mysterious disease. Inspired by a true story, Radium Girls traces the efforts of Grace Fryer, a dial painter, as she fights for her day in court. Her chief adversary is her former employer, Arthur Roeder, an idealistic man who cannot bring himself to believe that the same element that shrinks tumors could have anything to do with the terrifying rash of illnesses among his employees. As the case goes on, however, Grace finds herself battling not just with the U.S. Radium Corporation, but with her own family and friends, who fear that her campaign for justice will backfire. Written with warmth and humor, Radium Girls is a fast-moving, highly theatrical ensemble piece for 9 to 10 actors, who play more than 30 parts—friends, co-workers, lovers, relatives, attorneys, scientists, consumer advocates, and myriad interested bystanders. Called a “powerful” and “engrossing” drama by critics, Radium Girls offers a wry, unflinching look at the peculiarly American obsessions with health, wealth, and the commercialization of science. Produced by special arrangement with The Dramatic Publishing Company of Woodstock, Illinois. Originally produced by Playwrights Theatre of New Jersey and developed with a commissioning grant from The Ensemble Studio Theatre/Alfred P. Sloan Foundation Science and Technology Project.
by D. W. Gregory Directed by Willow Jade Norton Zolan
5:00–7:30 p.m.
Meet director Shiori Ito in person on the UO campus! https://www.shioriito.com/en/films
- Woman who sparked Japan’s #MeToo movement
- Peabody Award winner
- Oscar-nominated filmmaker
This event will feature a screening of the widely acclaimed memoir documentary film, Black Box Diaries, followed by an in-person conversation with director Shiori Ito.
Ito is the first Japanese documentary filmmaker to be nominated for an Academy Award. The film chronicles Ito’s investigation and pursuit for justice following a sexual assault she suffered in 2015 as a young journalist. It follows her attempt to prosecute the high-profile offender, a senior figure in the Japanese media. Her challenge to Japan’s patriarchal, judicial, political, and media systems has made this a landmark case of gender-based violence in Japan.
Content warning: This film contains accounts of sexual violence. We encourage viewers to practice self care and take breaks from the film as needed.
The event is sponsored by:
- Yoko McClain Lecture Series in Japanese Studies
- Department of East Asian Languages and Literatures
- Oregon Humanities Center Endowment for Public Outreach in the Arts, Sciences, and Humanities
- Center for Asian and Pacific Studies