3:00–6:00 p.m.
Stand out on LinkedIn and beyond with a polished, professional headshot.
Free for CAS students. No registration needed; wait time may vary.
5:30–8:00 p.m.
We have a very fun event planned for Spanish Heritage students! We will be attending the one-hour opera of La Vida Breve together and mingling at the McArthur Court Lounge for refreshments beforehand. Please join us!
5:30-6:30 - Refreshments and mingling in McArthur Court Lounge 6:30 - walk to Beall Concert Hall together through the cemetery 7-8 - La Vida Breve, opera performance at Beall Concert Hall
Tickets available for FREE with Student ID - pick up at EMU Ticket Office. We have 20 tickets reserved for the program. Please email shlassistant@uoregon.edu to reserve your ticket.
7:30 p.m.
Shakespeare’s immortal comedy of love and intrigue! The people of Messina are determined to celebrate the impending marriage of Hero and Claudio with all-out merry-making, and the Prince (Don Pedro) decides getting the always-sparring Benedick and Beatrice to fall in love is the ultimate prank. Unfortunately, the Prince’s evil brother, Don John, sees a perfect opportunity to stir up trouble, causing a huge uproar that almost destroys everything. Luckily, the inept Constable Dogberry and his band of goofy Watchmen save the day!
By William Shakespeare Directed by Jerry Ferraccio Robinson Theatre (Grand Reopening!)
February 13, 14, 20, 21, 22*, 27, 28, March 1* 7:30pm evening performances and 2:00pm* matinees
7:30 p.m.
Shakespeare’s immortal comedy of love and intrigue! The people of Messina are determined to celebrate the impending marriage of Hero and Claudio with all-out merry-making, and the Prince (Don Pedro) decides getting the always-sparring Benedick and Beatrice to fall in love is the ultimate prank. Unfortunately, the Prince’s evil brother, Don John, sees a perfect opportunity to stir up trouble, causing a huge uproar that almost destroys everything. Luckily, the inept Constable Dogberry and his band of goofy Watchmen save the day!
By William Shakespeare Directed by Jerry Ferraccio Robinson Theatre (Grand Reopening!)
February 13, 14, 20, 21, 22*, 27, 28, March 1* 7:30pm evening performances and 2:00pm* matinees
10:00–11:00 a.m.
Please join us Tuesday mornings for a free cup of coffee, pastries, and conversation with your history department community! We’re excited to continue this tradition for our history undergraduate and graduate students, faculty, and staff. We hope to see you there!
5:30–7:00 p.m.
Much contemporary fiction from Indian Ocean Africa and South Asia turns simultaneously to the past and across the ocean generating alternative cartographies interlinking the Indian Ocean world. This means the past is not simply a background against which their narratives unfold-their historical setting-but the past itself functions as an intertext through which an Indian Ocean world gets reimagined. This talk will examine the rhetoric of loss and recovery in Indian Ocean discourse through an intertextual reading of Mauritian writer Ananda Devi's novel Indian Tango (2005), as a transnational queer rewriting of Satyajit Ray's cinematic adaptation (1984) of Rabindranath.
2:00–4:00 p.m.
From Jan. 21 and continuing until March 18, the Northwest Native American Language Resource Center (NW-NALRC) will be holding weekly consultation and assistance times.
From 2-3pm PST we will be providing consultation and assistance with Community Projects and Planning.
From 3-4pm PST we will be providing consultation and assistance for Supporting Language Teaching and Learning.
To join, please fill out this short form https://forms.office.com/r/D2pg3wErfj.
If you are in need of assistance, or if you have any questions, please contact nalrc@uoregon.edu.
4:00–4:30 p.m.
Join to learn more about GEO's Food Studies in Costa Rica program! This program offers an immersive experience in the study of food within Latin American history, combined with comprehensive Spanish language instruction and engaging excursions. Over four weeks, students will participate in Spanish courses tailored to all proficiency levels during the first two weeks, followed by an in-depth course on the history and cultural significance of food in Latin America, in English, in the second half. No prior Spanish knowledge is required, making the program accessible to all students.
6:00–7:30 p.m.
Learn about different career paths in the real estate industry and the foundations of financial analysis from guest speakers, hands-on workshops, and site tours. Join the UO Real Estate Investment Group for our weekly meetings every Wednesday in Lillis 132 from 6:00–7:30 p.m.! Our club is open to all and no application is required.
11:00 a.m.
Please join the Department of Indigenous, Race, and Ethnic Studies for a talk with Shane T. Moreman, PhD, Department of Communication, California State University, Fresno, titled “Displaced Practices of Discursive Change Circulations of Social Justice Ephemeralities within a Leather Bar Context.”
"While not the only ones, three normative discourses still dominate U.S. Western society: Whiteness, masculinity, and heterosexuality. As a critical communication scholar working through a performance studies paradigm, my work codifies these discourses with the goal of recognizing moments of social justice reconstitutions. My latest communication performance ethnography focuses on discursive interactions within a leather gay bar—Falcon—located in a mostly commercial neighborhood on the northeast side of a major U.S. northwestern city. I am drawn to learn how Whiteness and its adjacent cis male and masculine positionalities are circulating within contemporary, shifting registers of social codes around race/ethnicity, gender, and sexuality. As the world changes, how are these discourses adapting and changing? Steeped within the Whiteness, cis-maleness, and masculinity of a leather gay bar context, Falcon is a context for a bar culture that modulates and incorporates macro-level discursive conceptions into its localized performative acts all situated within contemporary frameworks. Influenced by Gloria Anzaldúa, Maria Lugones, and José Esteban Muñoz, I embrace a ontoepistemological approach so as to empirically cruise Falcon for creativity that disrupts normative reductions and advances complex co-existence. As Whiteness and its adjacent cis male and masculine positionalities co-mingle with contemporary expressions of nonnormative race/ethnicity, gender, and sexuality, I observe moments of co-mmuning and possibly co-muting with transness, nonbinariness, and gender diversity. When normativity tries to adapt to queer worldmaking, how are those adaptations manifested in the moment? In what ways are social codes reconfigured to generate a better presence? And, as queer worldmaking is ephemeral, what might we move forward with to improve the normative worlds in which we all predominantly must exist—at least for now? I begin answering those questions as a joto with a tequila soda in my hand at a mostly White, mostly cis male, and mostly masculine leather gay bar named Falcon."